Mrs. Phillips was in bed when Joan went up to say good-bye. “You’ll come again soon?” she asked, and Joan promised. “You’ve made me so happy,” she whispered. The nurse was in the room. “There wasn’t much difference, so far as I could see, between them and most of us,” answered the little old lady. “You’re not married, dear,” she continued, glancing at Joan’s ungloved hand, “but people must have a deal of patience when they have to live with us for twenty-four hours a day. You see, little things we do and say without thinking, and little ways we have that we do not notice ourselves, may all the time be irritating to other people.”!

“It’s war,” he said. Crouching close to the ground, behind the spreading roots of a giant oak, she raised her eyes. Before her lay a sea of smooth, soft mud nearly a mile wide. From the centre rose a solitary tree, from which all had been shot away but two bare branches like outstretched arms above the silence. Beyond, the hills rose again. There was something unearthly in the silence that seemed to brood above that sea of mud. The old priest told her of the living men, French and German, who had stood there day and night sunk in it up to their waists, screaming hour after hour, and waving their arms, sinking into it lower and lower, none able to help them: until at last only their screaming heads were left, and after a time these, too, would disappear: and the silence come again.

“You’ll do,” he answered with a laugh. “With nine men out of ten that speech would have ended your chances. You sized me up at a glance, and knew it would only interest me. And your instinct is right,” he added. “What people are saying: always go straight for that.” The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. Sometimes, seated on a lichened log, or on the short grass of some sloping hillside, looking down upon some quiet valley, they would find they had been holding hands while talking. It was but as two happy, thoughtless children might have done. They would look at one another with frank, clear eyes and smile.